On line dating terminology dating site tips first message on pof
May refer to a position in which the torso is erect over a flexed supporting leg with the working leg extended forward to a pointe with the knees together which the man assumes when touching the lady’s foot with his in parada.
Often done as an adorno prior to stepping forward, as in parada or in ochos. chiches) Small ornamental beats done around the supporting foot with the working foot in time with the music, either in front or in back as desired. Civility, respectfulness, and consideration are the hallmark of the true and serious milonguero. Colgada — A spinning move executed by a couple at the end of an inside barrida in which both dancers lean out away from each other and spin rapidly until the man leads out with a back step.
A very close embrace was used as well as some unique posture and footwork elements. Also see Stephen Brown's Styles of Argentine Tango. It refers to somebody or something from the slums, i.e. It also describes a gathering where people from the slums dance.
It is also a certain way to perform or dance the tango with a slum attitude.
An example of an amague may be a beat (frappé) before taking a step. Apilado Style — Piled on: As used in tango, the reference is to the way a jockey is "piled on" his horse, when racing—hugging the neck. Sometimes referred to as the Stork when the lady’s leg is lifted in the cuatro position.
Agujas — Needles: An adornment for the man done with the working foot vertical with the toe into the floor while pivoting inside a molinete. Amague — (from amagar - to make a threatening motion) a feint: An amague is used as an embellishment either led or done on one’s own, and may be used before taking a step. May also refer to a subtle shifting of weight from foot to foot in place and in time with the music done by the man before beginning a dance to give the lady the rhythm he intends to dance and to ensure that she will begin with him on the correct foot. Caida — Fall: A step in which the man steps backward, sinks on his supporting leg, and crosses his working leg in front without weight while leading the lady to step forward in outside position, sink on her supporting leg and cross her working leg behind without weight. Calesita — Carousel; the merry-go-round: A figure in which the man places the lady on one foot with a lifting action of his frame and then dances around her while keeping her centered over, and pivoting on, her supporting leg.
Aficionado — From afición - liking; amateur; fancier: An enthusiastic admirer or follower; a devotee or a fan of something, such as tango. A person of simple and direct ways who speaks plainly and uses coarse language. Useful for avoiding collisions and making direction changes in small spaces.